Is There a Difference Between a Cult and a Brand?
The recent slew of TV shows on cults + tech titans proves that they’re way more similar than we think.
https://eyeondesign.aiga.org/what-m…
How to Decolonize the Capitol
Art historians, legislators, and activists have long decried themes of White supremacy in the art collection of the U.S. Capitol. Can this place be decolonized?
https://placesjournal.org/article/h…
La Grande Motte – France’s Modernist City
La Grande Motte means "The Big Mound".
https://darrenbradleyphotography.co…
Cannupa Hanska Luger Is Turning the Tables on the Art World
His work playfully critiques what white audiences want — and upends long-held ideas about what Native American art should look like.
https://nytimes.com/2022/06/16/maga…
Why can’t Paul Rudolph’s buildings catch a break?
To be a preservationist is hard. To be a preservationist for Paul Rudolph’s buildings is even harder.
https://archpaper.com/2022/06/why-c…
“I Want You to Feel Cheated”: A Conversation with Lee Bey
A month into his new ‘Chicago Sun-Times’ column, one of America’s last architecture critics reflects on his work, and its fragile role in our culture.
https://dwell.com/article/chicago-s…
The Ecstasy of Nigel Coates
Aaron Betsky dives into the 2022 autobiography by the narrator of English punk and queer architecture.
https://architectmagazine.com/desig…
Theaster Gates’ Serpentine Pavilion asks: how do you create a sacred space?
As Chicago-based artist Theaster Gates unveils his much-anticipated Serpentine Pavilion, Black Chapel, he speaks to art historian and curator Aindrea Emelife, who reflects on the space’s power to unify people, cultures and creative disciplines.
https://wallpaper.com/art/theaster-…
In Memory of Colin Forbes, Celebrated Co-Founder of Pentagram
The acclaimed designer has passed away at age 94. Pentagram partner Michael Gericke remembers his former mentor and lifelong friend.
https://eyeondesign.aiga.org/in-mem…
Alexandra Lange on Malls as “A Resource of Semi-Public Community Space”
Alexandra Lange’s new book, Meet Me by the Fountain: An Inside History of the Mall, is aptly titled.
https://commonedge.org/alexandra-la…
Spirits in the Material World: A Trip to the Eames Institute
Kenneth Caldwell visits the Eames Ranch in Petaluma, California to unpack the goals and secrets of the Eames Institute of Infinite Curiosity.
https://metropolismag.com/viewpoint…
Joan Didion’s Magic Trick
What was it that gave her such power?
https://theatlantic.com/magazine/ar…
Christopher Wool on What Brought a ‘Sunday Painter’ Back to Life
“I had been on the treadmill for so long. And then suddenly I felt like I could just be an artist again,” he says. His long obsession with photo books has now taken full flight.
https://nytimes.com/2022/05/30/arts…
The Renovated and Expanded Museum of Contemporary Art San Diego Has a Complicated Relationship With Its History
Critic Mimi Zeiger finds beauty and serenity in Selldorf Architects’ new cultural project, but misses much of its building’s accumulated quirk and soul.
https://metropolismag.com/projects/…
Fleur Cowles and the Making of Flair, History’s Most Beautiful Magazine
Wild risks, a blank checkbook, and one impossibly fabulous editor.
https://eyeondesign.aiga.org/fleur-…
Wandering Through Uber HQ’s Secret Garden
Landscape architects Surfacedesign have created a surprisingly calming retreat for employees—and the public—tucked between the tech giant’s glassy new San Francisco buildings.
https://metropolismag.com/projects/…
Mysteriously Handcuffed to History
MoMA’s exhibition on architectures of decolonization in South Asia is problematic but timely, a much-needed catalyst for the preservation of valuable mid-century buildings.
https://placesjournal.org/article/r…
The Imperative of Ending Coerced Student Labor
A reckoning with faculty misconduct at SCI-Arc shows the need for deeper change in the industry.
https://architecturalrecord.com/art…
Every Brand Is a Climate Brand These Days, and That’s Terrible For the Environment
Amid a sea of dubious climate messaging and images, can design find visual languages for the climate crisis that leads to real action?
https://eyeondesign.aiga.org/every-…
An Exhibition and Book Give Different Perspectives of Potter Edith Heath
At the Oakland Museum of California, Edith Heath: A Life in Clay, coincides with a new book on her, providing varying viewpoints on one of the most influential ceramics designers of Midcentury America.
https://metropolismag.com/projects/…
MoMA exhibition on building and decolonization in South Asia raises questions about the authentically hopeful architecture of nation-building
The Project of Independence, now open at the Museum of Modern Art (MoMA), is steeped in longing for a return to a more hopeful time when architects made nation-states.
https://archpaper.com/2022/05/moma-…
Interview: Carson Chan on Climate Crisis and the Challenge of the Architectural Canon
For curator, writer, and educator Carson Chan, architecture’s impact on the environment is not simply a question of how buildings produce greenhouse gases.
https://pinupmagazine.org/articles/…
Building the Corporate Menace of Severance
Saarinen’s impeccable Bell Labs campus conveys the terror of utopian office design.
https://curbed.com/2022/05/apple-tv…
Searching for What Connects Us, Carlo Rovelli Explores Beyond Physics
The physicist ranges widely — from black holes to Buddhism to climate change — in his new book, “There Are Places in the World Where Rules Are Less Important Than Kindness.”
https://nytimes.com/2022/05/05/book…
The Sisterly Collusion Behind Vanessa Bell’s Book Covers for Virginia Woolf
Woolf's dust jackets were “universally condemned amongst booksellers.” So why did she continue to let her sister design them?
https://eyeondesign.aiga.org/the-si…
What happens if Ukraine’s historic buildings are destroyed
Ukraine’s UNESCO sites date back to the 11th century. If they’re destroyed, they can be rebuilt but never replaced.
https://fastcompany.com/90748679/wh…
